Digital photo processing opens up huge possibilities—everyone is free to edit photos to match their taste and their mood of the day. But this freedom can sometimes tie you up by leaving you with so many variants that you can’t even choose among them. Or at least, I know it happens to me—all the time.

The market today is flooded with ever-better zoom lenses built to cover practically every imaginable range. And yet there are still photographers who make do without any zoom at all. Is it really possible to stick to just one fixed lens and completely forget about all the other focal lengths?

Maybe you’ve been there—standing somewhere with a breathtaking nature scene in front of you. You pressed the trigger a few times, but for all the world you couldn’t get a picture that really showed the beauty you had before you. What was the problem?

Just about all of us shoot when we’re on the road. But the pictures that experienced photographers post on the Internet look a little different. Their exceptional shot locations definitely help, but their final looks actually owe a lot overall to computer edits. And meanwhile, these are rarely complicated tricks. In this article, you’ll find several common workflows that you too can use on your photos.

Many people think that tools for sharpening a photo on a computer are only useful when a botched shot has left the photo blurry. And they’re certainly useful then. But there are also other, more important cases where sharpening should be used. In fact, you should use it on practically every picture. Wondering why? Then read on.

Flowers and other plants can be compelling subjects, and you can get fancier than just photographing them the same way every time. Take inspiration from today’s article and read up on the why’s and how’s of composing when you’re photographing plants.

Dynamic range is a term often used when describing scenes, reviewing cameras, and exorcising a variety of photographic demons. But there’s nothing supernatural about it. By understanding how it works and learning to work with it as you shoot, you can prevent overexposed and underexposed scenes.

Spring is here—and it’s waking up nature. But every other season is fantastic too. Especially for photographers. So keep returning to the same photogenic places year-round. That will give you a unique collection of photos that, even though they all show the same subject, never quite show the same picture.

Gradient filters—landscape photographers use them all the time, but often other photographers don’t even know they exist. Today’s article is about what they are and why they’re used.

There’s a simple way to tint your photos, and that way is to work with the Curves tool. The Curves tool, found in photo software like Zoner Photo Studio, is more than just a great way to tweak exposure. You can also use it for color toning. In this article we’ll show you how to use the Curves tool to adjust photographs’ color tones, for a better atmosphere and more artistic impact.