Black and White Landscapes: See How to Add Life to Black and White

Generally, when photographing a landscape, you’ll try to capture faithful, saturated colors. But sometimes a different approach is in order: going black and white. Black-and-white landscapes have immense magic to this day. But there are some golden rules for how to do this edit. And to get the best picture possible, it pays to follow them.

Nearly every digital camera today offers a black-and-white option. But you can get far more interesting pictures if you wait and convert them to black and white on your computer. That gives you a number of ways to work with a picture during conversion.

First, though, you’ll need to choose which photos to convert to black and white. After all, it’s not a good fit for every photo.

A Color Landscape, or Black and White?

If you’re considering B&W for a photo, then when you first open it on your PC, think about why you took it. Were you drawn by the exceptional colors of the sun, the clouds, and the flowers? Then a black-and-white edit probably won’t work.

Or are high-contrast lines, textures, and a lightly melancholic mood what catch your eye when you look at the picture? Then black and white will be the right choice.  

An example of what not to convert to b&w.

The picture above is a typical example of when it’s better to keep the colors. The picture below, meanwhile, contains lines that tie into each other interestingly in the picture’s composition. And meanwhile, its colors aren’t that interesting. So it’s better to use a black-and-white edit.

Black and White Landscapes: Check - before
The original photo. Nikon D750 + 24mm f1.4 Art, 1/4000 f1.6 ISO 100

A Basic Black-and-white Conversion

Picked a good photo for black-and-white and wondering what to do next? Just desaturating it definitely isn’t a good idea.

Instead, open it in the Develop module in Zoner Photo Studio. Then go to the Color group on the right and click Grayscale. Your first step is done.

Turn on the Grayscale option.

Exposure Adjustment and Other Tools

Now it’s time to work with the settings in the Exposure section.

For landscape photos, you’ll generally draw down the Shadows and highlight the Lights. Move Clarity and Dehaze to the right as well. Doing this will infuse the photo with an interesting contrast, and all of its textures and details will stand out better as well.

Adjusting the exposure settings.

Then consider adding Vignetting, which you’ll find in the Effects group. For an interesting vignetting-based effect, just reduce the Strength and darken the picture’s borders. This emphasizes its center.

Adding vignetting.

Manual Channel Mixing

To really tweak a B&W photo and make it fit your ideas, turn on Manual Channel Mixing. (You’ll find it in the Method dropdown in the Color group after you’ve turned on Grayscale.) Then you can adjust values for the picture’s individual color channels, and through that, adjust the tones for various parts of it. Don’t be afraid to experiment to find out what’s just right for your particular picture.

For example for this picture here, I’ve darkened the green channel. This has created a contrast between the path and its surroundings. Meanwhile, I needed to make sure that the blue mist on the horizon—which the light-colored path leads to—would stay light. So I brightened the blue channel.

For photos with a cloudless clear blue sky, meanwhile, it’s generally better to darken the blue channel.

Try out how the individual color channels react.

Wrap up by checking to see if adding some Polarization will help the picture. Its effect on black-and-white photos is often quite attractive.

Fine-tune With Local Edits

Certain parts of a photo tend to require some special edits. The horizon is among them. Even just my exposure adjustments have revealed a number of hidden details in the example photo, but the Filter Brush (B) will reveal far more.

But first I’ll turn off the mask display so that I know where I’m drawing.

Use the Filter Brush to select and adjust an area.

Here I’ll add some Clarity to the area I’ve selected. That emphasizes the contours in the distance.

To emphasize details, use the Filter Brush and Clarity.

Darkening the sky using the Gradient Filter (G) is another frequently useful local edit.

To do this, place the Gradient Filter on the upper portion of the picture and reduce the exposure. Here this edit has given me a light and misty horizon that transitions into a much more contrasting sky.  

Use the Gradient Filter to darken the horizon.

Some Final Detail Retouching

Often a photo will have some elements that it doesn’t need. In the example photo, the pole sticking out of the backpack is such an element. Draw over areas like this using the Retouching Brush. If it doesn’t pick a good source region for retouching automatically, adjust the source manually. And you’re done.

Retouch to fine-tune details.

The original color photo and the final black-and-white photo.

Try Both Colors and Black and White

With digital cameras, you don’t have to decide whether to buy color film or black-and-white, like you did in the old days. You can take everything in color and wait to decide what to make black and white until you’re on your computer.

Try it for yourself. Download Zoner Photo Studio X, try it free for 7 days, and see how your pictures would look in black and white.

Receive our weekly newsletter to stay on top of the latest photography trends

Subscribe to receive the best has to offer

Invalid email

By confirming the subscription, you consent to the processing of your personal data for receiving newsletter. Learn more in our privacy policy.

AuthorMatej Liska

I most love taking pictures of people. Weddings, portraits, graduation photos, balls... I am always in search of backlight, but I enjoy various types of lighting and mostly like to use shorter lenses. I love my Nikon, my guitar, and a kebab. You’ll find my photography on my website or on Facebook.

Comments (0)

There are no comments yet.

Leave a Reply

Your email address will not be published. Required fields are marked *