Every photographer got started somehow, and every photographer has gone through certain stages in their development. Each photographer’s development looks roughly the same—from the photographer who shoots nearly everything, they gradually become the photographer who thinks carefully before pressing the trigger. In today’s article, we’ll show you a typical photographer’s development.

As a photographer, you have one fundamental tool for defining pictures’ composition. That tool is the way you place your subject in the frame. You can do this job best if you know about the Golden Crop and the Rule of Thirds. Your placement of the subject within a photo’s space affects not only how easy it is overall to interpret, but also the meaning of what it says.

You’ll enhance a photo’s composition whenever you make sure to fill up its frame with your subject. To do this every time, sometimes you’ll need to use a zoom or a long lens, and sometimes you’ll need to step closer, but your pictures will speak more strongly, and your audience will know what they’re looking at.

To get good-looking photos, you need to respect the basic rules of composition while composing your shots. Good subject placement is one of these rules. Always think about the scene before you press the trigger—that way you can avoid problems such as objects in the picture touching each other or excess noise in the background. The better you position your subject, the more it will shine in your photo.

Dynamic range is a term often used when describing scenes, reviewing cameras, and exorcising a variety of photographic demons. But there’s nothing supernatural about it. By understanding how it works and learning to work with it as you shoot, you can prevent overexposed and underexposed scenes.

While the human eye can easily adjust to changing light colors, a camera doesn’t have it so easy here. Because of this, you have to let it know when its coloring of a scene differs from reality. The way to do this is via camera modes or automatic white balance. In the following article we’ll take a look at how to fine-tune a scene’s colors so that they match reality.

Get the hang of composition basics and start creating more aesthetic photos that are more pleasing to your audience. Observe these rules of composition to advance from just recording reality to doing real photography. Or deliberately violate some of them to make your work provocative. But make sure it’s clear that the reason why you’re breaking the rules is because you know the rules.

Taking pictures in the Golden Hour is one of the most fundamental and simplest recommendations for taking better pictures. The Golden Hour is actually not one, but two hours daily: after the sunrise, and before sunset. During these hours, the light is softer, the shadows are longer, and the light temperature is significantly warmer. Read on for a few tips on why and how these everyday, but still extraordinary, time periods can be used for photography.

Today we’ll be telling you about how digital photography works with “bitmap graphics” and that these have some minuses compared to “vector graphics.” But—what do these phrases even mean? And what bitmap formats are there within digital photography? And out of those, why shoot to RAW instead of JPEG? Read on to find out!

Occasionally as a photographer you’ll find yourself in a situation with bad light. Modern cameras can handle poor light, but they still sometimes need a little help from accessories. Read on and learn to overcome bad light using your equipment (and skills).