6 Best Subjects for Autumn Landscapes

Fall is a favorite season for many photographers. Fall colors are incredibly photogenic, but they’re not the only reason to head out with your camera this time of year. Read on to discover what awaits you outdoors and how to make the most of the season’s unique opportunities.  

In this article, we discuss: 

  • The best subjects for autumn landscapes
  • Why fall is such a great season for photography
  • How to use the fog, shorter days, and fall colors to your advantage
  • Where to find interesting compositions and light 

Fall is a time when the landscape changes dramatically. Depending on whether you go by the astronomical or meteorological definition, it can stretch from early September, when it’s still pleasantly warm, to December 21, with snow and freezing temperatures. In this article, we focus on the part of the season that everyone imagines when they hear the word “fall.”   

Colorful nature

Changing colors are probably the first thing that comes to mind when you think of fall.

Views from above the forest are breathtaking, where clusters of trees of different hues alternate. The best destinations for photographers are hills with scenic views of the countryside or lookout towers. 

Colorful hills are magical and only look this way in autumn.
Sony A7R V, Tamron 28-200/2.8-5.6, 1/80s, f/10, ISO 100, focal length 114mm

You can also find beautiful scenes deeper in the forest. It might be a clearing, a small cottage, or a view of the distant hillside. Even the path you’re walking along can be a great compositional element, especially if it forms a leading line through the frame. Bonus points if it winds into an S-shape or has a few curves. A telephoto lens helps compress the scene and bring the individual sections of the path closer together, avoiding a huge curve in the foreground and a barely visible one in the distance. 

Fall paths are perfect for practicing composition and finding curved leading lines, like here in late fall, when more leaves have fallen. 
Canon R5, Canon 70-300/4-5.6L, 0.4s, f/13, ISO 100, focal length 108mm

And it’s not just trees that change color. For example, in South Moravia, vineyards also turn shades of red and gold. Their tidy rows contrast beautifully with the irregular shapes of the surrounding landscape, and look great both from above and up close.

Vineyards burst into color in fall, too.
Canon R5, Sigma 150-600/5-6.3, 1/25s, f/11, ISO 100, focal length 388mm

Landscapes with buildings

Isolated buildings add character to natural scenes. They can be small chapels, hunting lodges, or forest cottages—or larger landmarks like castles or chateaus. 

Veveří Castle and a much newer bridge over the Brno Reservoir.
Canon R5, Canon 70-300/4-5.6L, 1/20s, f/10, ISO 100, focal length 81mm
The Chapel of St. Florian above Moravský Krumlov.
Canon R5, Canon 16-35/2.8 III, 1/8s, f/8, ISO 100, focal length 29mm

Fields and farmland

In autumn, fields appear in different stages of plowing or sowing. Unlike in summer, you’re not limited by tall grain or corn, giving you many more options. 

A field with fall crops. In the summer, the distant road is hidden behind tall grain.
Canon R5, Canon 70-300/4-5.6L, 1/30s, f/16, ISO 100, focal length 78mm

Lone trees or small clusters of trees complement the scene nicely, casting long shadows across freshly plowed fields in the morning or evening light. 

Long shadows are only visible when the ground is almost bare.
Canon R5, Sigma 150-600/5-6.3, 1/80s, f/13, ISO 400, focal length 283mm

Shorter days

While later sunrises and early sunsets might be a nuisance in everyday life, they’re a real advantage for photographers. The golden hour is ideal for photography, and unlike in summer, you don’t have to wake up before dawn or stay out late to catch it. For example, in Europe, the week before we switch to daylight savings time is perfect, with sunrise around 7:30 a.m. It’s similar to the end of the year, but it’s usually colder and nature isn’t as photogenic then.    

Similarly, in summer, sunset is often so late you don’t get home until very late. In the fall, you can capture beautiful evening light much more easily, which makes it easier to plan your shoots and still have time to relax afterward. In Europe, it’s best to take advantage of the weeks immediately after daylight savings time when the sun sets around 4:30 p.m.  

The Pálava hills photographed at 4:27 p.m., ten minutes before official sunset.
Canon R5, Canon 70-300/4-5.6L, 1/80s, f/8, ISO 400, focal length 120mm

Fog

Many people complain about foggy weather, but for photographers, it’s a good thing.  

There are different ways to use fog. From a window, it might look dull if you can’t even see the house across the street. But from a higher viewpoint, like a hill or lookout tower, that same fog can turn into waves of fog rolling in beneath you.  

Morning fog at 7:19 a.m. over a hilly landscape.
Canon R5, Canon 70-300/4-5.6L, 1/30s, f/14, ISO 100, focal length 124mm

Closer shots can be just as magical. Paths lined with trees fading into the mist have a special mood of their own.  

Morning fog in the forest.
Canon R5, Canon 70-300/4-5.6L, 1s, f/14, ISO 100, focal length 93mm

It’s also worth looking for sunbeams made visible by thinning fog. This effect appears when the fog begins to lift.  

Sunbeams made visible by the fog.
Canon R5, Canon 70-300/4-5.6L, 1/30s, f/5, ISO 100, focal length 182mm

And I couldn’t resist including an example of an urban landscape, because familiar scenes take on a whole new look in foggy conditions. When was the last time you saw Brno’s Špilberk Castle hidden in mist? And as a bonus, there are usually fewer tourists around this time of year.  

Brno’s Špilberk Castle, unusually shrouded in fog.
Canon R5, Canon 16-35/2.8 III, 1/80s, f/8, ISO 100, focal length 16mm

Car light trails

Early dusk has another big advantage—there’s still plenty of traffic. You can use this to capture beautiful light trails, both in the countryside and in the city.  

In the countryside, look for major intersections or looping highway ramps.  

Several roads photographed from a distant hill.
Canon R5, Canon 70-300/4-5.6L, 13s, f/14, ISO 100, focal length 176mm

Or, focus on the details by finding a forest curve where cars pass through. In later fall, when the trees are bare, you can find more open spots with a clear view.

Cars passing through a forest road.
Canon R5, Canon 70-300/4-5.6L, 30s, f/11, ISO 100, focal length 70mm

In the city, streetlights and lit-up houses can be included to add even more color and atmosphere to the scene.  

City streets photographed from nearby hills.
Canon R5, Canon 24-70/2.8 II, 15s, f/11, ISO 100, focal length 61mm

New perspectives

If you’ve only thought of fall as the season of colorful leaves, hopefully this article has inspired you to look at it differently. You might start to see potential where you hadn’t noticed it before. Maybe a month from now, you can photograph the same place in a completely new way. Good luck, and here’s to bringing home some fresh and unexpected shots.

FAQs

What should I use for shooting fall landscapes? A basic zoom lens, a telephoto lens for compression, and a tripod for long exposures, especially in low light or fog.

How can I photograph the fog? Head to a higher elevation, ideally right after sunrise. Use manual mode and look for contrasting subjects that are partially hidden by the fog. 

How can I capture car light trails? Use a tripod, low ISO, and a long shutter speed of 10–30s. Let the cars enter the frame and watch their lights turn into colorful lines.

Where can I find the best locations for autumn photography? Hills overlooking valleys, vineyards, solitary trees in fields, lookout towers, and winding roads. All of these come to life in autumn.