Gradient filters—landscape photographers use them all the time, but often other photographers don’t even know they exist. Today’s article is about what they are and why they’re used.

Nature’s theater above us is… mesmerizing. That’s why skyscapes are such a common part of landscapes and cityscapes. Sunsets, sunrises, storm clouds, rainbows. Moments that may never be repeated. Don’t miss your chance at a great photo—learn to get the maximum out of outdoor scenes!

For landscape photography you definitely need some patience, some “sitzfleisch.” I heard this statement many times when I was starting out in photography. There’s probably something to it, and by the end of this article we’ll state once more that luck comes to the well-prepared. So read on, head out, and help your luck to find you!

If you often photograph landscapes, then a polarizing filter is an important accessory. When you start using one, the difference will be visible right away. This article will explain the principles behind this filter, and what you can expect from it. Every photographer should know a bit about these filters: they’re good for more than just landscapes!

If you’ve ever done landscape photography, then you know the situation where your sensor’s dynamic range isn’t big enough for the dynamic range of the scene. In plain English: you can only get detail in the dark tones if you’re willing to sacrifice it in the light tones—in other words, to accept a washed-out sky—or vice versa: detailed bright tones at the cost of dark tones that all blend into pure black. There’s a solution: HDR.

There are a lot of articles we could write about landscape photography. But in this one, we take a look at this genre’s major guidelines and at things to keep

Photographers often head out on the road with a lot of gear, but that doesn’t mean they never want to travel light. But that can mean leaving something important behind.