The photography you see from landscape photographers on social media often doesn’t show all of the hours or even days of work that was put in beforehand. This may include choosing the right location or waiting for the timing to be just right. It’s also not uncommon for a well thought-out plan to be scrapped due to bad weather, and the photographer is left with no choice but to go home empty-handed or with pictures different than what they expected. The unassuming cover photo for this article came about in a complicated way and its creation was no coincidence either. Read the story of how it came to be.   

The sky can be tricky to get right for many photographers. The majority of us remember a time when we were on vacation and made the whole family move from place to place so we didn’t have to shoot against the sun. Luckily, technology and software today allow us to shoot in backlight without a problem. It’s important to keep a few basic rules in mind. Watch the camera settings and know how to use Zoner Photo Studio X to properly edit the photo later. Learn how to do all of this in this article. 

Geometry isn’t just for schoolbooks! For example in landscape photography, it can help you get some great compositions. Don’t worry, you won’t need a protractor or a compass. You’ll just need to recognize and utilize a few basic geometric shapes in landscapes. You can use them to guide your audience’s eyes straight where you want them, emphasize specific spots, or give a photo just the right touch of motion. How? Read on and find out!

Photography is largely about work with light. No matter whether you enjoy shooting landscapes or portraits of your friends, the direction and quality of light is expressed everywhere. You can get an idea for how exactly photons influence your subject by experimenting on a table with ordinary objects from home.

Fog is very photogenic. If you haven’t tried it yet, you should check out the kinds of pictures you can get with fog as your friend. In a majestic foggy landscape, you don’t even need an exclusive spot—you just need to look carefully around you. After all, fog can hide a lot of details that simply beg to be photographed.

Inversions, afterglow, misty morning, and above all, light. These are the magicians of thanks to whom we love landscape photography so much. For today’s article, we’ve prepared a little experiment. Our editor Josef has headed out for some fieldwork into a field and spent all day capturing a landscape’s changes from dusk to dawn and back to the afternoon. Read it and see for yourself how every landscape has countless faces.

Landscape photography doesn’t work the same way every time, but a few basics will apply for most of your photo opportunities. If you’re not sure what camera settings to use or what tricks will get your landscapes looking even better, turn to this article for advice.

Wintertime offers a new view of every landscape, and you’ve got to take advantage of that. But it’s important to also think about your equipment—and above all your health. After all, photographing snowy landscapes can often be a little dangerous. Yet if you prepare well, you’ll be rewarded with magical pictures. We’ll show you how to photograph winter landscapes, and how to prepare for it.

Sometimes when you’ve taken your shots for panoramas, you may not be able to stitch them on a computer how you imagined. The result feels awkward and not at all like the panoramas you know from experienced landscape photographers. The cause lies in bad rotation of the camera on the tripod. For the photos to be perfect, it has to rotate at the nodal point.

Early in the morning and late in the evening are when you’ll find the best light for landscape photography. But sometimes you can’t wait. For example on vacations, you’ll probably have no choice but to take your pictures in daytime. And you’ll have to face things like the noonday sun, cloudy skies, and rain. So in today’s article I’ll be showing you how to work with precisely these conditions.