Why should you make a winter photo series? First of all, because it’s an excellent skill-building exercise. Winter provides the right conditions for creatively working with various motifs, composition, and above all, color. Plus, you don’t have to search hard to find elements in a solid white landscape to draw the series together. These photo-worthy elements pop up on their own in a bleak winter landscape. Last but not least, you can bring a friend or furry companion along and have lots of fun at the same time.
One growing trend of our age is the search for simplicity. It’s expressed in nearly everything—from our style of dress to what we eat to the buildings where we live. This minimalism also has its place in art. And art may have stood at its beginnings. Remember the pioneering Bauhaus school, which emphasized the use of basic colors and shapes, clean lines, and overall clarity across all styles. This school’s heritage lives on in many fields—including photography.
Today, seeing a female photographer on the street, camera in hand, is something we all take for granted. However, it wasn’t always this way. Just one hundred years ago, a female photographer in public would draw attention to herself or be looked down upon. The role of women was completely different in the more patriarchal society of the time. For this reason, we have tremendous admiration for these trail-blazing artists that were able to break through societal barriers and amaze the world with their work.
Every photographer knows how important it is to master their camera, know the principles of composition, and understand light. Even so, it is criticism and acknowledging opposing opinions that truly help their photography develop. Feedback is what gets you out of your comfort zone and forces you to further develop your skills. It’s critical that you are able to not only accept constructive criticism, but also make it work to help you further your photography.
Your photography has the potential to amuse, even if it wasn’t your original intention. In this article, we are discussing laughter that you provoke. Whether you are creating a photo series, taking photos for social media, or just sharing with family and friends, it never hurts to use a humorous moment to change things up a bit. As a result, you’ll be able to observe how the focused expression of your viewer is suddenly replaced with a smile, or if you’re lucky, with bouts of laughter.
You’d be hard-pressed to find a more dangerous and precarious genre of photography than war photography. The photographer often goes so far as to risk their own life for their work. You may ask yourself why these photographers go to such lengths and what good may come of it. A rather poignant response is given by one of the most compelling war photographers of all time, James Nachtwey: “I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” This response is simultaneously a strong appeal for humanism that can be found in the work of many photographers who work in combat zones.
Taking good pictures at any price? That’s a temptation photographers shouldn’t fall prey to. Taking good photos is important, but so is taking into account the people you’re photographing, their dignity, and the customs of the given country or culture. When disrespecting the basic rules of ethics, many photographers have even run into major problems. Learn to avoid them!
Few photographic genres are plagued by as many misunderstandings as documentary photography. We photographers have come to classify every shot that isn’t prearranged into this genre. It’s most often confused with reportage. And meanwhile the two are easy to tell apart! Reportage is usually a short-term record of some event. While documentary work is always long-term. Its results never arrive immediately, and building up a gripping series can even take years.
In reportage, it’s important to be in the right place at the right time, and also to press the trigger at the right moment. That’s definitely the foundation, but it’s just as important to know how to put together a gripping story from the photos you get. Like every other story, a reportage should pull the audience in, keep them in suspense, and bring them a certain denouement. Now let’s take a look at how to tell it through photos.
You know the drill: Vacations, weekend trips, and even ordinary walks in the woods... They all churn out photos, but there’s never time to process and ponder them. But then you suddenly run into situations where you’re stuck at home and you don’t know what to do with your time. How can you turn this lemon of a situation into lemonade?