You’ve probably run into the title question in practice. The answer is: there’s not just one best length. Unlike in portrait photography, nearly every lens works for landscapes. It’s just that each one lets you present the landscape a bit differently. So let’s explore the differences among them via an example landscape.

The market today is flooded with ever-better zoom lenses built to cover practically every imaginable range. And yet there are still photographers who make do without any zoom at all. Is it really possible to stick to just one fixed lens and completely forget about all the other focal lengths?

There are so many lenses on the market. Endless, really. And yet none of them are perfect for every situation, every photographer. But no matter what lens you’re using, it’s the most important part of your camera, because it draws your photos.

Do you know what kinds of drives are used to auto-focus lenses? Where are manufacturers boasting and what are they hiding? What can you expect from these drives and how should you care for them? That’s what today’s article is all about.

When you’re getting started in photography, even camera settings can be a sack of troubles. Now add to this the fact that sometimes you pull out your camera or cell phone and quickly snap a picture without thinking. In portrait photography, this can spoil your picture—it can deform your subject’s face. So—how do portrait photos look when taken at different focal lengths? And what should you do to keep from ruining your portrait photos? Read on to find out!

Join me for a look at one of the most famous focal lengths in history. It’s the fixed-fifty lens. This is a lens of many faces. There are lots of different fixed fifties on the market, ranging from thrifty to luxury. But why are these lenses a perennial favorite, and why should they be in everyone’s bag?

They’re heavy and they have no zoom, but because of their image quality, some professionals use only these lenses. Why are ultra-fast lenses so highly valued?

The lens is the part of your camera that you need to protect against scratches, impacts, dirt, and more. You can protect your lens using a lens hood and a UV filter. Choosing a lens hood is simple, but what about the UV filter? Which brands are good, and what do the more expensive UV filters offer, when they’re “just a piece of glass?”

Every owner of an interchangeable-lens camera has been there: so many great lenses, so little money to spend on them! But thankfully there’s a way to pick up some very decent lenses at great prices.

Tired of normal photography? Try some tricks! For example, try capturing the world around you with your lens in your left hand, a few millimeters in front of the camera and detached from it. Since you can turn it to the sides, you can easily change the focal plane and get some exceptional effects.