Mirrorless cameras are the future, gradually replacing DSLRs. Mirrorless cameras are built upon a completely different concept with its own pros and cons. DSLRs will certainly still be available for a long time and will be easier to get second-hand. It definitely makes sense to give some thought to which camera system to get.
The Moon is a captivating subject. However, photos with the Moon alone are all very similar. This celestial body shines (pun intended) when you add other objects to the image, whether it’s the silhouette of the landscape or a human figure. Read about finding the right time, place, and method to shoot the Moon.
Do you often return from a full-day trip with only a few pictures? Or maybe you even head out to the forest specifically to take pictures and then lose your muse? Then either you’ve already got tens of thousands of nature photos behind you and are just seeking icing on the cake... or you may be missing opportunities that quietly appear along the way. Join us for a look at some typical cases.
Geometry isn’t just for schoolbooks! For example in landscape photography, it can help you get some great compositions. Don’t worry, you won’t need a protractor or a compass. You’ll just need to recognize and utilize a few basic geometric shapes in landscapes. You can use them to guide your audience’s eyes straight where you want them, emphasize specific spots, or give a photo just the right touch of motion. How? Read on and find out!
If you’re bored of motionless photos, you can create dynamic and special photos with help from powders. You just have the model or someone else sprinkle them onto their environment during the shoot. This can be ordinary flour, or even “holi”: special powdered paint. By freezing that powder in pictures, you can immortalize unique moments full of action.
Color spaces are fundamental when you want to talk about correct and correctly displayed colors and about how to get the most out of them. This relates to both displaying pictures on various displays and printing your pictures after editing. Take a look with us at the chromatic building blocks that affect the rest of your work with photos.
Even with primitive props, you can take photographs with a look that’s beyond the everyday. Give it a try and stop worrying for a bit about how to capture what’s in front of you—you’ll just be thinking about how to create a picture. You simply need to wait for night and light up your phone, a headlamp, or flashlight, or just anything you have at hand. And the fun can begin!
Photography is largely about work with light. No matter whether you enjoy shooting landscapes or portraits of your friends, the direction and quality of light is expressed everywhere. You can get an idea for how exactly photons influence your subject by experimenting on a table with ordinary objects from home.
Fog is very photogenic. If you haven’t tried it yet, you should check out the kinds of pictures you can get with fog as your friend. In a majestic foggy landscape, you don’t even need an exclusive spot—you just need to look carefully around you. After all, fog can hide a lot of details that simply beg to be photographed.
Most of today’s camera sensors are based on a single design. But besides its benefits, that design also has its negatives, which can end up reflected in your photos. Because of this, manufacturers are always seeking better, more functional alternatives that can cut back on the drawbacks. Read on to find out how their various solutions differ and what you can expect from your sensor.