Framing in Photography: A Powerful Composition Technique for Bold Shots

Once you’ve mastered the rule of thirds, it’s time to try a more advanced composition technique that can elevate your photography: framing. It’s not difficult, but it’s something you need to keep in mind and use deliberately. It also helps to have a few examples in your head of what framing looks like. Let’s take a look at a few of these. 

Framing can be used in many different ways in photography. I’ll focus on the most common and obvious ones, but once you get the basics down, there’s nothing stopping you from adapting and experimenting with framing in your own way.  

What is framing?

Framing means using elements in the scene to surround your subject, creating a kind of “secondary frame,” like taking a photo of a painting hanging on the wall.  

Unlike a traditional picture frame, framing in photography doesn’t have to enclose the subject on all four sides. Often, but not always, it involves foreground elements to add another layer to the composition.

Why use framing?

Photos that use framing tend to have more depth. The viewer isn’t just looking at the subject, but they’re also getting cues about distance, scale, and the surrounding environment. This gives the image more context and, in some cases, helps tell a story.

View of Brno, Czechia including the floor of the lookout tower. Canon 5D Mark IV, Canon 24–70/2.8 II, 1/160s, f/11, ISO 100, focal length 24mm

For comparison, a similar shot without the observation tower. The buildings in the background still create depth, but the image looks completely different. Canon 5D Mark IV, Canon 24–70/2.8 II, 1/40s, f/8, ISO 100, focal length 24mm

Finally, framing also helps highlight your subject.  

How to use framing

The idea is simple: Once you’ve chosen your subject, look around to see if there’s anything you can use to frame it. Then, adjust your position so that both the subject and framing are in your shot.   

Ideally, the frame should be darker than the subject, but it’s not a strict rule. 

Same location at different stages of sunrise. The first picture doesn’t use framing, while the others show different ways the surrounding landscape can frame the scene.   

What to use for framing

Trees and leaves

Trees are everywhere in landscape photography, so if they’re already in the scene, you can use them deliberately.  

Waterfall framed by trees. Canon R5, Canon 70–300/4–5.6L, 1/100s, f/7.1, ISO 100, focal length 93mm

In urban settings, you need to position yourself carefully. Like backing up under a tree and shooting from an uncomfortable vantage point to use it as a frame.

Leaves frame a famous landmark. Canon 40D, Canon EF-S 10–22/3.5–4.5, 1/50s, f/8, ISO 100, focal length 22mm

It’s not common for leaves to frame all four sides. More often, it’s used from above or from the sides.  

Canal in Amsterdam framed from above by leaves and from below by a dark riverbank with boats. Canon 40D, Canon EF-S 10–22/3.5–4.5, 1/160s, f/8, ISO 200, focal length 10mm

Windows and doors

Windows and doors work great for framing since they mark the transition between spaces.

St. Peter’s Cathedral seen through a window. Canon 40D, Canon EF-S 55–250/4–5.6, 1/500s, f/8, ISO 200, focal length 116mm

The remains of a doorway used to frame the landscape. (The high ISO here was unintentional—the photo was taken late in the evening without a tripod). Canon 5D Mark III, Canon 16–35/2.8 II, 1/160s, f/13, ISO 2500, focal length 35mm

People and natural structures

In cities, arches or rows of columns are rewarding elements that make framing easier. 

A pair of tourists framed by an arch. The image could also be cropped to exclude the bottom steps. Canon 40D, Canon EF-S 10–22/3.5–4.5, 1/30s, f/4, ISO 400, focal length 16mm

Outdoors, overhanging rocks, or natural rock “windows” can be used for framing. 

Rocks windows are always worth looking for. Canon 5D Mark IV, Canon 16–35/2.8 III, 1/60s, f/11, ISO 100, focal length 30mm

Spectators and other people

In dimly lit venues like theaters, the stage is lit and the auditorium is dark. The dark silhouette of the audience can serve as a frame.   

Illuminated fountain framed by viewers. Canon 350D, Sigma 70–300/4–5.6, 1/4s, f/8, ISO 200, focal length 300mm

Shadows

You don’t have to just use objects for framing. Sometimes the sun and the shadows it casts can be just as effective.  

A random tourist steps into a shadow frame. I had the camera ready, but had to wait for someone to step into the right place. Canon 40D, Canon EF-S 10–22/3.5–4.5, 1/125s, f/3.5, ISO 400, focal length 10mm

Background framing

The frame is usually close to the photographer, sometimes at the same level as the subject. But it can also be behind the subject, which can be very effective in portraits.

The model is positioned so that she is framed by the arch behind her. Canon 5D Mark III, Canon 85/1.2 II, 1/400s, f/1.2, ISO 100, focal length 85mm

Double framing

Using multiple frames within a single shot can be especially effective when recurring elements or passageways are available.

Two arches in the gallery create a double frame. Canon 40D, Canon EF-S 10–22/3.5–4.5, 1/40s, f/4.5, ISO 400, focal length 22mm

Try it yourself

If you haven’t tried using framing yet, give it a try. Even just searching for the right elements to use is a creative exercise and the results can be surprisingly rewarding.   

Questions and answers

What exactly is framing in photography? Framing is a composition technique where an element in the scene, like a window, leaves, or an arch, creates a frame around the main subject. It helps direct the viewer’s eye and adds depth.

Does the frame have to surround the subject completely? It doesn’t have to. A full frame isn’t required. The frame can be just the top, side, or a partial frame. The main thing is that it emphasizes your subject.

How do I know if the framing works? If the framing naturally directs the viewer’s eye to your subject, gives the photo a sense of space or depth, and adds context, then the framing has done its job.

What can I use for framing outdoors or in the city? Outdoors, branches, shadows, or rock formations work well for framing. In the city, windows, arches, passageways, and even people or street furniture.

Are there rules for framing? There are helpful guidelines. For example, framing is more effective if it’s darker than the main subject. But it’s best to try different options and see what works.

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AuthorVit Kovalcik

I’ve been a freelancer since early 2012; photography is my living. I acquired my photography experience, both inside and outside the studio, during the previous years—when I was working all day and taking pictures every evening and weekend. I don’t have just one clearly defined topic; I like photographing people, but also cityscapes and landscapes.

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