Give Your Photos That Cinematic Look: Step-by-Step Editing Guide

When you watch a good movie, you probably notice more than just the story. If you’re a photographer, chances are you’re drawn to the film’s color style too. You might wonder how the filmmakers achieved that look and whether you can do something similar with your photos. Color editing can enhance the mood of a photo and draw the viewer into its story, just like in a movie. With the right adjustments, you can give your photos the same atmosphere as your favorite movies!  

Keep in mind, there’s no single “cinematic style.” Every movie looks a little different, and there aren’t any hard rules. Still, there are a few common traits that can be applied to photography. Serious films tend to have muted colors, softer contrast between black and white, and subtle color overlays that unify the image. We’ll go through how to apply these adjustments step by step in the Develop module of Zoner Studio

If you want to try the process yourself, download the free preset and sample photo.


Choose the right photo

The cinematic look doesn’t work for every image. Avoid cheerful portraits or lighthearted snapshots. Pick something with mood and atmosphere. For this tutorial, I chose a photo of a woman standing at a gas station at night.  
This kind of scene may not contain an obvious story, but the viewer can easily fill in the blanks: Why is she there? Who is she waiting for? Where is she looking? The sense of mystery is what makes the photo cinematic. 


Before editing, change the aspect ratio to 16:9, which is more commonly used in film than the standard 3:2. If the composition allows, you can even try the ultra-wide 21:9 for an even more dramatic effect. 


1. Start with curves

You may already be familiar with this basic trick: an S-curve on the Brightness curve boosts contrast. But for a cinematic look, you can achieve a more interesting effect if you tweak the individual color channels too. This adds subtle color contrast that mimics the film aesthetic. To reduce harsh shadows, try lifting the blacks slightly on the Brightness curve.

Don’t be afraid to make the curves more pronounced. If the contrast is too much, lower it using the Contrast slider under Exposure.  


2. Mute the color saturation

In the Exposure section, adjust lights, shadows, and overall exposure as needed. But the key step here is to reduce Saturation and balance it out using Vibrance. Cinematic color palettes tend to be more subdued so the atmosphere can shine through. 

Every photo reacts differently, so don’t be afraid to experiment. 


3. Use Color Shift but preserve skin tones 

In Color Shift, pull back most colors to mute them further, but keep skin tones natural. You can fine-tune skin tones under Hue for a more realistic look. 

Try to use the sliders to get a smooth curve without sharp breaks. These breaks can create unwanted sharp transitions in your image.


4. Add Split Toning 

Under Split Toning, slightly shift the colors toward the yellow-green hues typical for a cinematic look. Use this tool with care—a little goes a long way.  

Use the Overall, Shadows, and Lights tabs to dial in the exact mood using the  Saturation slider. Keep the effect gentle and balanced. 


5. Finishing effects for atmosphere

Finally, add a few subtle “imperfections” that help sell the cinematic look. Vignetting, Grain, Glow, Halation, or even Add Chromatic Aberration work great.

These effects are technically lens defects that most photographers try to avoid. But for a cinematic look, they can enhance the image.

Since the main subject is still a bit faded, we use AI Masks to select the background and darken it by lowering Exposure and Lights. 

Use AI Masks, select the background, and darken it to make the main subject stand out more. 
All done. The last step was just editing out the pole and wires for a cleaner result.


Download Zoner Studio free for 7 days to recreate this cinematic look or explore your own. The options are endless!

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AuthorMatej Liska

I most love taking pictures of people. Weddings, portraits, graduation photos, balls... I am always in search of backlight, but I enjoy various types of lighting and mostly like to use shorter lenses. I love my Nikon, my guitar, and a kebab. You’ll find my photography on my website or on Facebook.

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