The Tamron 150-500 mm F/5-6.7 Di III VC VXD lens is a great choice for photographers looking for long glass for sports or wildlife photography. Its range of focal lengths and excellent image sharpness, even at minimum f-numbers, make it on par with similar models from Nikon.

Can the Tamron 35-150/2-2.8 replace the three other lenses in my previous kit? Let’s take a look at how it stacks up against top professional glass in terms of quality and performance.

We put this Nikkor little gem through our own real-world stress test at the Masaryk Circuit in Brno. We focus on its sharpness, focusing speed, and processing. These factors are of most interest to photographers who specialize in sport, wildlife, or aircraft photography.

Buying a new camera lens can be a long process, let alone choosing the right telephoto lens. Finding a lens for my Nikon Z6II was a tougher decision than it seemed at first glance. I’m going to walk you through my selection process step-by-step, taking into account my requirements and the current market offerings. I’ll explain why I ultimately chose the NIKKOR Z 100–400mm f/4.5–5.6 lens. This article will hopefully serve as a useful guide if you find yourself in a similar situation.

You may already own a polarizing filter or are considering buying one. Perhaps you’re considering a neutral-density (ND) filter too. But won’t changing out each filter and worrying about different lens sizes be a huge hassle? A creative solution to this is the universal Revoring. The Revoring combines both filters in one. 

Looking for a universal zoom lens for your Sony A7 or A7R system compact? The Sony FE 70-200 f/4 G OSS may be the answer. It’s the first premium telezoom for Sony Alpha full-frame system compacts. We’ll be taking a in-depth look here at this must-have lens. Read and see how it held up for us in practice.