Want good pictures of fish and other inhabitants of aquariums, but it’s not working out? We have some tips for you on what to do.

Sometimes your pictures can end up with a tilted horizon or oddly-leaning objects that are supposed to be standing straight up. But don’t despair—you don’t have to delete photos like these. Just straighten them in a photo editor.

Would you like for readers to pick your food blog, and none other? We can’t tell you how to make your content stand out, but we do know that with bad photos, you’ll go nowhere. You might say: hey, I’m just starting! But if you follow a few basic guidelines, your photos will be tastier right away.

There’s lots of tools out there for landscape photography, but not everyone wants to carry them all on a hike—or even buy them. If you’re not sure what equipment you’ll need for your nature photography, read on and learn what makes sense to take.

We’ve probably all tried to photograph a small animal at some point, perhaps a cat, a dog, or a tame squirrel in the park. But many photographers make basic mistakes here that leave their pictures with no spark. So let’s take an illustrated journey through the usual defects.

The main disadvantage of macro shots is their low depth of field. Everyone recommends a tight aperture, but in practice even that won’t get you really sharp macro. But there’s another option—taking multiple shots at varying depths and joining them on a computer.

Glass—a photographer’s worst enemy. It’s usually best to just avoid it. But what if you want to immortalize your favorite fish in an aquarium? Or photograph your brother with a tiger behind glass at the zoo? There are loads of situations like this.

Having at least some part be sharp in every photo is a goal for most photographers. But it doesn’t always work out. After all, there’s a number of things that can prevent sharp photos.

Have you ever racked your brains because the RAW developer in Zoner Photo Studio produced results that slightly differed from the camera’s JPEGs—for example brighter or differently colored? The problem’s not with you, nor is it with ZPS. It’s a side effect of camera manufacturers’ trade secrets.

You’ve probably run into the title question in practice. The answer is: there’s not just one best length. Unlike in portrait photography, nearly every lens works for landscapes. It’s just that each one lets you present the landscape a bit differently. So let’s explore the differences among them via an example landscape.