Photographing a black subject against a black background isn’t easy, but as long as you remember one basic rule, your subjects will never again melt into black backgrounds. Discover how “black-on-black” photos are made. Then use your new skills to take impressive photos!

There are many categories in photography. And each of them has subcategories, and below these, sub-subcategories. So finding your place in photography isn’t easy—there are so many places to find. It often takes years before a photographer finds a style. But how will you know when you’ve found the right field for you? You might find the answer in today’s article—which contains a bit of philosophizing.

The summer months bring heat, with heat the sun, and with the sun, sharp light. For a photographer, harsh and direct light is among the most unpleasant light there is.

Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on

In today’s thrilling episode of Zonerama Magazine, we’ll geek out about the physics of the TV series The Flash. Did its authors go overboard when they let their super-fast hero photograph himself? Oh, and could he have used a flash? So many questions! So let’s answer them. All we’ll need is a little high-school physics.

Like many beginning photographers, you may wish for your own studio. But do you really need one? Many pro photos today are born outside the studio. In fact, more and more photographers are avoiding classical studios completely. This trend has been apparent for the past several years. So here’s a tip on how to work like a modern pro from the comfort of your home—by creating your own home studio.

In previous articles we looked at tips and recommendations for photographing products against white backgrounds and with a reflection in the background. The most difficult product photography of all is when you’re working with highly reflective objects or glass. So let’s take a look at how to make these look great.

Invisibility—it’s not just for superheroes! Every good photographer should be able to turn at least partly invisible. That means not calling attention to themselves—trying to not be seen, to blend in with the crowd. These are major building blocks for success when you’re photographing people. Especially if you’re doing street photography, reportage, or events like weddings.

Every year when the warm sunrays start waking nature up from its winter sleep, I can’t wait to head out again to meet spring’s first flowers. On two wheels or maybe two legs, but always with a camera. I go straight for the places nearby that are known for having early spring flowers. I hope that you too take the chance this year to get out and photograph nature in the spring. Before you do, read today’s article to learn some flower photography tips, as well as what to take in your backpack.

Every family has their photos, the ones that capture exceptional moments—times of joy and pain. How should you approach this kind of photograph? What are the things to avoid and rules to respect? To learn all this and a little more too, read today’s article.