There are several tools you can use to draw your audience’s eyes towards your photos’ subjects. But there are also many ways in which you can accidentally transfix your audience with something different than what you intended. So in today’s article, read up on the right way to get your audience’s attention and keep them focused on your subject. That will give your pictures better, more pleasing composition.

As a photographer, you have one fundamental tool for defining pictures’ composition. That tool is the way you place your subject in the frame. You can do this job best if you know about the Golden Crop and the Rule of Thirds. Your placement of the subject within a photo’s space affects not only how easy it is overall to interpret, but also the meaning of what it says.

You’ll enhance a photo’s composition whenever you make sure to fill up its frame with your subject. To do this every time, sometimes you’ll need to use a zoom or a long lens, and sometimes you’ll need to step closer, but your pictures will speak more strongly, and your audience will know what they’re looking at.

To get good-looking photos, you need to respect the basic rules of composition while composing your shots. Good subject placement is one of these rules. Always think about the scene before you press the trigger—that way you can avoid problems such as objects in the picture touching each other or excess noise in the background. The better you position your subject, the more it will shine in your photo.

Does it sound crazy to you to use a black-and-white preview in your camera instead of color? Try it anyway. This preview will keep your eyes more focused on composition, making it easier for you to notice compositional flaws. That enables you to fix composition errors on the spot, instead of crying over your ruined pictures at home on your computer.

Advertising is likely the photographic field with the highest cashflow. Photobanks sell millions of photos of countless types each day. But in this article we won’t be discussing how to shoot for photobanks. Instead we’ll focus on the basics of composing commercial photos.

You see photos everywhere. Browse the web: you see photos. Open a newspaper: you see photos. Drive to work: you see billboards with smiling models… in photos. And that’s just the situation for normal people. It’s even worse for us photographers, who live and die for photos. So how can you pick good photos out of the flood of them you see each day?

People are among the most common subjects in photography. People in motion, people in poses, people on the street. And people are important in pictures even when they’re not the subject, by enlivening the picture or showing scale. But do you know what not to do when photographing people?

The standard formats (height/width ratios, also called aspect ratios) for photographs have evolved over time. But some formats have proven over time that they’re best left untouched, and so camera makers stick with them. So let’s take a look at the most common aspect ratios for digital images—these ratios are also the ones produced by digital cameras, and photo labs and photo frame manufacturers expect them.

Image composition is a critical element that can elevate—or deflate—the value of your photographs. Thus it’s something that you should never underestimate.