The 5 Most Annoying Habits of Intermediate Photographers
Intermediate photographers often complain about their equipment, and they can really pour a lot of money into it. They’re also always chasing after better photos and mumbling something about “good light”. Photographers are a community and they have their quirks, but are they all the same?
Photographers tend to share a lot of the same habits—some are amusing, but sometimes too much is too much. I’ve been noticing certain bad habits repeatedly among photographers for a while now. Have you run into them too?
1. The Search for Kit
Who doesn’t want the best? We all do! Photographers are no exception. They want the newest, best camera bodies and the fastest lenses—and of course that includes lenses they don’t need at all.
But often the real culprit behind a bad picture is not in the kit. After all, equipment just does what a photographer tells it to. So don’t be “one of those”—think about what you’re photographing, and how. Then turn to more experienced photographers for advice and recommendations about what equipment to acquire.
Meanwhile, remember that you don’t always need to take all your equipment with you. But you don’t usually end up kicking yourself for leaving a lens at home—you end up kicking yourself for taking it with you.
This mainly happens to beginning and intermediate photographers who have lots of equipment, but not much knowledge yet about what they’ll need when. And so they take everything—or worse yet, two of everything. Just to be sure. They pointlessly carry one digital camera and one for film. Just in case. And of course every lens in their collection, plus a tripod.
Well, it’s a phase for everyone. You just have to “shoot your way out of it” and into the awareness that it’s a problem. Over time, a photographer realizes that one camera body and one or two lenses in their bag are enough. They certainly have more waiting back home; they just have to know in advance what they’ll be shooting and what lens will serve best.
2. “I’ll Retouch It Out”
You shouldn’t say “I’ll retouch it out” when you’re shooting. Try to take your pictures in a way that minimizes the edits you’ll need. Sometimes it’s enough to just recompose, or move slightly to the side, or crouch. It’s better to think a little now about how to remove the problems in your photos than to later spend hours retouching and cursing yourself. Don’t waste hours to save minutes!
3. Stubbornly Rejecting Criticism
Criticism is never pleasant, but don’t avoid it. Different people have different opinions. Even though it’s not really nice to listen to criticism, it’s the thing that will push you forward. Take the constructive criticism with you, and don’t get into unneeded arguments. Keep a cool head and avoid personal attacks, or else experienced photographers won’t give you any advice. Learning to accept criticism is the path to success.
At the same time, don’t photograph anything that you don’t agree with, or anything that you know you’ll be ashamed of. You’re a photographer and director at the same time, and you know best what will look good. For example, don’t let your model force you into pictures that you know won’t be good. That will save you cries of “That’s how she wanted it.”
4. Self-importance
Big egos and self-importance—you’ll mainly run into these in online discussions on forums and under photos, but not only there. One expression of self-importance, for example, is signatures on photos. Is it really needed? Isn’t better to have a signature style instead? Learn to be modest—that’s the key to success.
5. Big Wars on Little Issues
Perhaps the most epic issue for all photographers is the eternal dilemma: Canon or Nikon? Right? Or maybe not?
In reality it doesn’t matter. Some people prefer this, others prefer that. Some personal advice: find a friend who’s willing to lend you lenses, and then buy the brand they have. That’s more than enough.
Seeing Yourself Above? Seeing Your Friends? Lots of photographers have been totally consumed by the art and live in a different world where they’re always worrying about the same things—equipment, composition, light, editing, etc. A lot of that is good, but always be careful to avoid the bad side of photographic passion!
Mary Winnower
Weren’t YOU once a beginner/intermediate? Did people think YOU were annoying then? If you are accomplished enough to be annoyed enough by newbies’ “mistakes,” why not, instead, an article to HELP beginners/intermediates overcome what you view as “annoying?”
Zoner
Thanks for you comment Mary. Everybody is annoying sometimes for someone, and we’re sure the author was (and is) as well. The article offers solutions for these mistakes, as well as the whole magazine and its articles. It’s just really interesting to see things from another point of view.
Bill
Isn’t this backwards?
“Meanwhile, remember that you don’t always need to take all your equipment with you. But you don’t usually end up kicking yourself for leaving a lens at home—you end up kicking yourself for taking it with you.”
Zoner
It probably depends on the situation. If you are hiking, you really usually end up kicking yourself for taking the much unnecessary weight.
hindesite
Pretty good article, and I think generally correct. #4 made me laugh, is one of my pet hates. I so often see mediocre images dressed up in multiple frames, vignettes and sigs, where it is not appropriate (for example, in forums). There IS a place for sigs, but that is not it.
A good photo needs none of that.
Werner Maurer
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Werner Maurer
Oops.
Good article, useful advice. BUT: May I weigh in with the single most annoying trait of seasoned photographers? They’re too easily annoyed by things we plebes do, and as often as not they look upon us with disdain, and they don’t try to hide it, either.
Zoner
You are absolutely right. Don’t hesitate to add anything else that is annoying.
Stephen Green
Hilarious.
Definitely guilty of (1) plus fumbling around & dropping it all over the place(the little bits & pieces lime notepad / cloths / remote)
Anyone who is upset by this article is guilty of (4)
Zoner
Thanks, we like your self-criticism! :)
Stephen Green
should say LIKE notepad/cloths/remote
Kevin Tye
The thing about kit, I used to do that all the time, take all my lenses with me, all my filters, doublers etc. Now, I take my body (Nikon D3100) and a single versatile lens (35-105) and a handful of gradient filters (tobacco, smoke, rose etc) and a very lightweight tripod, unless I know I need something special, and then I take my full kit bag. And I always have my iPhone with me for those shots that if I don’t take them I will kick myself
As for fixing pics after, my view is fix them in the composition. Whilst I understand that sometimes you cannot spend time composing, sometimes just standing back and looking can give you a different perspective on a shot that can save retouching.
Neil Shapiro
Regarding Signatures on Photos – I think you are missing the fact that many images are stolen on the internet and used for commercial purposes. But of course, you need more than a signature to stop theft…unfortunately, a light watermark is also needed. I use both. But even just a signature at least identifies the source of the photo when it spreads otherwise uncredited over social media.
Al
Couldn’t agree more, a light watermark with your © brand/website