Not hairlines—building lines! Many people find it distracting when buildings in pictures are “falling backwards.” If you’re not a fan either, read on to find the solution.

There are many ways to approach photography. When something catches a beginner’s eye, they just point, and click. (What innocent bliss!) With experience, photographers start thinking about subject placement and the Golden Ratio. But have you ever thought about taking composition to the extreme, for example by shrinking the main subject until it’s almost invisible, or by practically eliminating the background? That’s minimalism. What do you get after that? Well, if you want to take a break from the sea of Christmas ornaments around you, read on.

Have you ever wondered on Earth you should shoot to RAW files? After all, they’re huge, and they have to be developed on a PC before use. Today we’ll look at some areas where RAW has the upper hand.

There are lots of roads to ruined pictures. Dirt and sensor defects are two of them. How can you uncover and solve these problems?

This is the story of one night photograph. We’ll be using it to show step-by-step how to get the most out of flash photography, and what special steps the pros take.

Forests are a popular topic in photography, both because they’re visually appealing and because they’re easy to reach. Read on for some tips of how to get more out of your forest photography.

Almost every camera has a built-in flash, and you can buy external flashes too. Where does a flash help? Where does it hurt? Read on to find out.

Though photographers have a tendency to seek the prettiest sunshine, you can take impressive nighttime pictures too. Join me in exploring some examples, and you’ll get practical advice for getting the best night photographs too.

Every owner of an interchangeable-lens camera has been there: so many great lenses, so little money to spend on them! But thankfully there’s a way to pick up some very decent lenses at great prices.

Tired of normal photography? Try some tricks! For example, try capturing the world around you with your lens in your left hand, a few millimeters in front of the camera and detached from it. Since you can turn it to the sides, you can easily change the focal plane and get some exceptional effects.