Making Autofocus Work for You
Cameras today have some very advanced autofocus systems. But it does take a little knowledge and skill to get the most out of them. Read on for important tips on making autofocus benefit you and your photography.
I’ve been a freelancer since early 2012; photography is my living. I acquired my photography experience, both inside and outside the studio, during the previous years—when I was working all day and taking pictures every evening and weekend. I don’t have just one clearly defined topic; I like photographing people, but also cityscapes and landscapes.
Cameras today have some very advanced autofocus systems. But it does take a little knowledge and skill to get the most out of them. Read on for important tips on making autofocus benefit you and your photography.
Do you know what kinds of drives are used to auto-focus lenses? Where are manufacturers boasting and what are they hiding? What can you expect from these drives and how should you care for them? That’s what today’s article is all about.
Camera-shopping lately? You can avoid nasty surprises and grow as a photographer by knowing how camera focusing systems work. There are several different systems with different advantages and disadvantages. Learn them and keep them in mind, and you’ll take clearer pictures—and maybe save money too!
When you’re getting started in photography, even camera settings can be a sack of troubles. Now add to this the fact that sometimes you pull out your camera or cell phone and quickly snap a picture without thinking. In portrait photography, this can spoil your picture—it can deform your subject’s face. So—how do portrait photos look when taken at different focal lengths? And what should you do to keep from ruining your portrait photos? Read on to find out!
Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on
In previous articles we looked at tips and recommendations for photographing products against white backgrounds and with a reflection in the background. The most difficult product photography of all is when you’re working with highly reflective objects or glass. So let’s take a look at how to make these look great.
Items shot with a white background are a classic you can use almost anywhere. Read on for the ins and outs of these standard shots.
You don’t need to rent a studio, look for a big room, or own expensive equipment. You can work your way into product photography by photographing small objects. It will also give you a chance to practice your work with light. You just need a few common props that you probably already own.
They’re heavy and they have no zoom, but because of their image quality, some professionals use only these lenses. Why are ultra-fast lenses so highly valued?
Not hairlines—building lines! Many people find it distracting when buildings in pictures are “falling backwards.” If you’re not a fan either, read on to find the solution.
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