Learn to Use Selections—Your Key to Precision Edits
Do you ever look at a photo and decide you’d like to edit just a part of it? Maybe darken the sky, blur the background, or change the color of some object in it? The selection tools will help.
I most love taking pictures of people. Weddings, portraits, graduation photos, balls... I am always in search of backlight, but I enjoy various types of lighting and mostly like to use shorter lenses. I love my Nikon, my guitar, and a kebab. You’ll find my photography on my website or on Facebook.
Do you ever look at a photo and decide you’d like to edit just a part of it? Maybe darken the sky, blur the background, or change the color of some object in it? The selection tools will help.
Having your photo files tagged with GPS coordinates is very practical. Not only do they let you know where exactly you took each photo, but also, using a track log you can see the path you took on your trip and how your photos lead across the map.
The main disadvantage of macro shots is their low depth of field. Everyone recommends a tight aperture, but in practice even that won’t get you really sharp macro. But there’s another option—taking multiple shots at varying depths and joining them on a computer.
Blending modes are an often-overlooked tool for photo edits. And that’s a shame! Check them out, because they can offer you countless new edits that will give you very original pictures.
Incense sticks are normally used to give your room the right atmosphere. But the smoke from incense sticks also forms one long unique, creative movement. And that’s a natural challenge for photographers. So get inspired by this photographic experiment with incense sticks and tea lights, and take advantage of the Christmas holidays for similar experiments of your own.
Spiderwebs are often associated with horror, dirt, and age. But there are moments when they can be beautiful. When dewdrops appear on the delicate strands of a spiderweb, its structure is made beautifully visible, and the right moment for a picture has come.
Many people consider layers to be something complicated that an ordinary person can’t even understand. But they’re really something very simple that will help you and make your work easier on even the simplest jobs. Let’s go make layers a part of your work too!
Lens flare in photos, including artificial lens flare, is fairly popular… though not with everyone. A lens flare can add life to a photo, giving it a story or energy. But it can also ruin a photo. Here we’ll be showing you how to add lens flare to a photo—as well as where you definitely want to avoid it.
Basically the only thing you need for a photo is light. But unfortunately when you’re out shooting you’ll run into a lot of types of lighting, each with its own color. When there’s more than one source in the same scene, they can cause some real problems.
The term multiple exposure or “multi-exposure” is fairly broad. It means joining multiple photos into one, no matter why or how. The ability to join multiple exposures into a single picture can be put to many uses. I’ll show you one of those uses in today’s article.
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