You’ll enhance a photo’s composition whenever you make sure to fill up its frame with your subject. To do this every time, sometimes you’ll need to use a zoom or a long lens, and sometimes you’ll need to step closer, but your pictures will speak more strongly, and your audience will know what they’re looking at.

To get good-looking photos, you need to respect the basic rules of composition while composing your shots. Good subject placement is one of these rules. Always think about the scene before you press the trigger—that way you can avoid problems such as objects in the picture touching each other or excess noise in the background. The better you position your subject, the more it will shine in your photo.

While the human eye can easily adjust to changing light colors, a camera doesn’t have it so easy here. Because of this, you have to let it know when its coloring of a scene differs from reality. The way to do this is via camera modes or automatic white balance. In the following article we’ll take a look at how to fine-tune a scene’s colors so that they match reality.

Get the hang of composition basics and start creating more aesthetic photos that are more pleasing to your audience. Observe these rules of composition to advance from just recording reality to doing real photography. Or deliberately violate some of them to make your work provocative. But make sure it’s clear that the reason why you’re breaking the rules is because you know the rules.

Learn to make the snow white again in your winter pics and to repair their exposure, just like we’ve done in today’s sample picture.

Today we’ll be telling you about how digital photography works with “bitmap graphics” and that these have some minuses compared to “vector graphics.” But—what do these phrases even mean? And what bitmap formats are there within digital photography? And out of those, why shoot to RAW instead of JPEG? Read on to find out!

Loss of detail in red objects is a common problem in digital photographs. Digital cameras’ sensors are more sensitive to the red color channel than the other two (blue and green), and meanwhile overexposure of the red channel can lead to the loss of detail in red objects. In this article, we’ll show how to restore detail in red objects using Zoner Photo Studio.

If you depend on your camera’s automatic settings or you rely on the inbuilt meter when you’re in manual mode, then don’t worry—you’re probably getting correct exposure every time. However, you’re often robbing yourself of unexpected, interesting photos that you could get with creative use of exposure. Don’t be afraid to leave the safe zone of average exposure and try getting creative with your pictures!

Today I’ll be taking a look at the art of improving a picture after the shot. I’ll be demonstrating how to emphasize the subject and remove distractions in an already well-exposed photo, using a series of careful post-edits.

Today we’ll once again be taking a look at fixing a specific picture—to help you bridge the gap from theory to real-world work on fixing real-world photos. This shot was taken in poor light conditions—under hard light. We’ll be softening the light to get a picture that’s easier on the eyes. We will use Zoner Photo Studio for all the needed edits. You’re very welcome to follow along with us—just download the photo above and then imitate our steps.