Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on

In today’s thrilling episode of Zonerama Magazine, we’ll geek out about the physics of the TV series The Flash. Did its authors go overboard when they let their super-fast hero photograph himself? Oh, and could he have used a flash? So many questions! So let’s answer them. All we’ll need is a little high-school physics.

Like many beginning photographers, you may wish for your own studio. But do you really need one? Many pro photos today are born outside the studio. In fact, more and more photographers are avoiding classical studios completely. This trend has been apparent for the past several years. So here’s a tip on how to work like a modern pro from the comfort of your home—by creating your own home studio.

In previous articles we looked at tips and recommendations for photographing products against white backgrounds and with a reflection in the background. The most difficult product photography of all is when you’re working with highly reflective objects or glass. So let’s take a look at how to make these look great.

Invisibility—it’s not just for superheroes! Every good photographer should be able to turn at least partly invisible. That means not calling attention to themselves—trying to not be seen, to blend in with the crowd. These are major building blocks for success when you’re photographing people. Especially if you’re doing street photography, reportage, or events like weddings.

Every year when the warm sunrays start waking nature up from its winter sleep, I can’t wait to head out again to meet spring’s first flowers. On two wheels or maybe two legs, but always with a camera. I go straight for the places nearby that are known for having early spring flowers. I hope that you too take the chance this year to get out and photograph nature in the spring. Before you do, read today’s article to learn some flower photography tips, as well as what to take in your backpack.

Every family has their photos, the ones that capture exceptional moments—times of joy and pain. How should you approach this kind of photograph? What are the things to avoid and rules to respect? To learn all this and a little more too, read today’s article.

Items shot with a white background are a classic you can use almost anywhere. Read on for the ins and outs of these standard shots.

We see many product photos daily in our consumeristic society. They call out to us in all their perfection on the Internet, in flyers, in department stores... but for us as photographers, they raise the question: can they be even better? Of course they can! Read on for tips on how to excel in product photography and make sure your product photos live their lives in public, not just on your disk.

Depending on the visual culture where you live, the genre called naked portraiture may be an occasional part of the “advertising environment” around you. It also turns up in beauty contests and in the marketing materials for cosmetics, hairstyles, and various other products. It combines nakedness and portraiture, though not necessarily in an erotic, unfit-for-television, or offensive way. After all, if it did, it would not be as widely used in advertising—at least in Europe—as it is. If you’re curious about this subgenre, how to photograph it, and what to avoid, read on.