How to Remove an Object Against a Background in Perspective
Photo editors have some quite powerful tools available for removing objects from photos—for example the clone stamp and healing brush.
Photo editors have some quite powerful tools available for removing objects from photos—for example the clone stamp and healing brush.
Many people consider layers to be something complicated that an ordinary person can’t even understand. But they’re really something very simple that will help you and make your work easier on even the simplest jobs. Let’s go make layers a part of your work too!
Color adjustments are right up there alongside tone-curve adjustments as the most common edits you’ll make to your digital photos. No matter whether that’s a global repair to a photo that was tinted by a bad white-balance setting, or complicated creative edits using selections.
Perfect sharpness in a photo isn’t always something you want. Blurring can come in handy both when fixing mistakes in your photos and as a tool for creative expression.
Our digital age makes everything a whole lot easier than it used to be. Every typo can be corrected, and every photo can be retouched, darkened, brightened, or otherwise fine-tuned to perfection. Well… usually. Levels, meanwhile, are an important, yet often forgotten tool that can rescue more photos than you’d think.
We’d all like to think of backgrounds as simply not an issue—when we think of them at all. But in reality, backgrounds can have a lot of clutter, especially in urban photography. Meanwhile, there are several ways to look at this issue.
When you’re photographing outdoors—and especially in the city—you can often end up with chaotic colors in your pictures. And someday you might end up for example photographing an athlete for a sponsor… and their uniform shows other sponsors’ logos. What’s the solution?
Basically the only thing you need for a photo is light. But unfortunately when you’re out shooting you’ll run into a lot of types of lighting, each with its own color. When there’s more than one source in the same scene, they can cause some real problems.
Hair just doesn’t get the attention it deserves in photography. And meanwhile, great-looking hair takes a photo to the next level. So sit down, read on, and learn to give hair a healthy shine with (and without) a photo editor.
The eyes are the core of a portrait, and they’re an important means of expression in photography. So let’s take a look at how to make them stand out. We’ll retouch them using a brighten-and-darken technique. And we’ll do the same to let the lips and teeth stand out. The goal: to make our subject really, really shine.
Subscribe to receive the best learn.zoner.com has to offer
By confirming the subscription, you consent to the processing of your personal data for receiving newsletter. Learn more in our privacy policy.