Some colors perfectly match, while others strongly clash. But color contrasts are often precisely the way to give photos striking composition.

Photography is a field that relies heavily on colors. That’s because colors are one significant element affecting every photo. Sometimes more, sometimes less. Let’s take a look at a situation where colors are simply fundamental.

Winter’s here, and it’s brought early sunsets that handicap outdoor photography. But there’s plenty of opportunities indoors. Candles are a natural here. They’re easy to get, and around Christmas they’re often right at hand. Read on to learn how to handle the technical aspect of a shoot like this, plus some ideas for arranging the candles.

Every photographer was a beginner once, unless they’re a beginner right now. Every photographer has their style and their angle, but in general beginners share a lot of similar habits that could be called mistakes. Maybe you’re making some of them?

No more walking the mountaintops waiting for better weather! You’ll find scenes for macro photography everywhere around you—or you can create them on your own. Miniature abstract compositions don’t demand any complicated ideas, and yet they can still be a delight to the eyes.

Is center composition always a mistake, or—when you know what you’re doing—can it benefit your photos? We’ll show you several examples of when you should compose to the center and when to avoid center compositions, and also how to improve a photo you’ve center-composed.

Both at night and at many times throughout the daytime, you can run into situations where there’s not enough light for a good picture. That’s especially true when the days are short and the nights are long. When you don’t have access to daylight or streetlights, you can also use a flash.

The internet is full of various guides for producing “perfect” pictures. Zonerama Magazine isn’t the only place where you’ll read about things like the right way to compose, what lenses are good for what kinds of photos, and how to edit a photo using a histogram curve.

Maybe you’ve been there—standing somewhere with a breathtaking nature scene in front of you. You pressed the trigger a few times, but for all the world you couldn’t get a picture that really showed the beauty you had before you. What was the problem?

By mastering work with artificial light sources, and especially flashes, you break free of several exposure limitations that hold you back when you’re taking pictures in natural light. Using flashes also gives you much sharper pictures, because the flash is so short that it eliminates motion blur.