Black and white photos are always in fashion. Even among the pros. In a recent article we looked at several methods for converting pictures to black and white. This time we’ll take a look at how to produce “High Key” black-and-white, which is used to emphasize delicacy and perfection.
The summer months bring heat, with heat the sun, and with the sun, sharp light. For a photographer, harsh and direct light is among the most unpleasant light there is.
When you’re getting started in photography, even camera settings can be a sack of troubles. Now add to this the fact that sometimes you pull out your camera or cell phone and quickly snap a picture without thinking. In portrait photography, this can spoil your picture—it can deform your subject’s face. So—how do portrait photos look when taken at different focal lengths? And what should you do to keep from ruining your portrait photos? Read on to find out!
Amateur photographer Mark Johnston lives with his wife and two children in Owensboro, Kentucky. We discovered Mark a short while ago on Zonerama. We didn’t wait a moment and wrote in to ask him if he as a power user of Zoner Photo Studio would answer a few photography questions for us.
Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on
Black and white photography’s roots lie firmly in analog film. Meanwhile, we’re now standing well inside photography’s digital age. Maybe that’s why so many of what we call “black and white” photos today are just desaturated digital photographs. These are usually dull, gray, and short on contrast. So let’s take a look at how to create black-and-white pictures worthy of the name, using Zoner Photo Studio.
In today’s thrilling episode of Zonerama Magazine, we’ll geek out about the physics of the TV series The Flash. Did its authors go overboard when they let their super-fast hero photograph himself? Oh, and could he have used a flash? So many questions! So let’s answer them. All we’ll need is a little high-school physics.
Like many beginning photographers, you may wish for your own studio. But do you really need one? Many pro photos today are born outside the studio. In fact, more and more photographers are avoiding classical studios completely. This trend has been apparent for the past several years. So here’s a tip on how to work like a modern pro from the comfort of your home—by creating your own home studio.
You see photos everywhere. Browse the web: you see photos. Open a newspaper: you see photos. Drive to work: you see billboards with smiling models… in photos. And that’s just the situation for normal people. It’s even worse for us photographers, who live and die for photos. So how can you pick good photos out of the flood of them you see each day?
