Sometimes you need to place one photo inside another and make the result look as realistic as possible. And there’s a very simple way to do that. You can use it for example when you’re making invitations... or when you just want to play around a little. So take a look at how to put one photo inside another and create your own photo montage or photo collage.
Low depth of field. It’s the biggest downside of closeup and macro photography. But it has a solution: the technique called focus stacking. It lets you increase your depth of field without reducing the quality of your photos. Take a look at how to take advantage of this technique.
With landscape photos, you’ll often find that they’re missing something at first sight. The sky is too bright, the forest in the background is too dark, the river in the middle looks bland. This is where landscape photographers turn to a simple trick—local edits. Take a look at how to do them.
A truly compelling picture won’t have any distractions that might steal attention from its subject. But sometimes you just can’t avoid having distractions in the shot. Fortunately you can get rid of them easily with retouching. And you’ve got several ways to do it.
Taking a person from one photo and putting them in another. And thus placing them in a different situation. That’s one more thing you can do with advanced editing tools Work with layers and selections will help you to merge two photos into one like this. Take a look at how to do this kind of merging of one image into another.
Layer work often requires you to do complicated editing. Adjustment Layers are here to make it simple. Unlike ordinary layers, they don’t contain picture data—instead, they influence the image parameters of the layers below them.
Placing text in pictures is a very common thing—book covers, calendars, photo captions, and photographer’s signatures all involve it. So there’s a wide range of uses for any tool that can do it. With Zoner Photo Studio you can add text of all kinds to pictures quickly and creatively.
Surely you’ve seen a photo like this before—a night view of a big road in the city, full of light trails from passing cars. It looks like a very long exposure was used. But was it? There’s an alternative approach you can take that gives better control over the results.
The main disadvantage of macro shots is their low depth of field. Everyone recommends a tight aperture, but in practice even that won’t get you really sharp macro. But there’s another option—taking multiple shots at varying depths and joining them on a computer.