Making Autofocus Work for You
Cameras today have some very advanced autofocus systems. But it does take a little knowledge and skill to get the most out of them. Read on for important tips on making autofocus benefit you and your photography.
Cameras today have some very advanced autofocus systems. But it does take a little knowledge and skill to get the most out of them. Read on for important tips on making autofocus benefit you and your photography.
Have you ever had thoughts of selling your photos to a photobank? Do you ever sit and think about what’s important for these sales? Then this article is for you. We’ve summarized the most important things to have in mind before setting off to become a “photobanker.”
Want to show your photos to your friends and family and today’s and tomorrow’s clients? Then it off pays to have your own Internet photo presentation. Especially if that presentation has a clean and vibrant look.
Advertising is likely the photographic field with the highest cashflow. Photobanks sell millions of photos of countless types each day. But in this article we won’t be discussing how to shoot for photobanks. Instead we’ll focus on the basics of composing commercial photos.
We’ve all been there: that situation where you’re just about to take a nice picture, all you need is your tripod, and—it’s not there. Did you leave it at home on purpose? Sigh. What now? Improvise. In an emergency, you can create a simple and reliable tripod out of something easily available—for example, a beanbag.
If you depend on your camera’s automatic settings or you rely on the inbuilt meter when you’re in manual mode, then don’t worry—you’re probably getting correct exposure every time. However, you’re often robbing yourself of unexpected, interesting photos that you could get with creative use of exposure. Don’t be afraid to leave the safe zone of average exposure and try getting creative with your pictures!
Today I’ll be taking a look at the art of improving a picture after the shot. I’ll be demonstrating how to emphasize the subject and remove distractions in an already well-exposed photo, using a series of careful post-edits.
Photographing a black subject against a black background isn’t easy, but as long as you remember one basic rule, your subjects will never again melt into black backgrounds. Discover how “black-on-black” photos are made. Then use your new skills to take impressive photos!
Do you know what kinds of drives are used to auto-focus lenses? Where are manufacturers boasting and what are they hiding? What can you expect from these drives and how should you care for them? That’s what today’s article is all about.
Today we’ll once again be taking a look at fixing a specific picture—to help you bridge the gap from theory to real-world work on fixing real-world photos. This shot was taken in poor light conditions—under hard light. We’ll be softening the light to get a picture that’s easier on the eyes. We will use Zoner Photo Studio for all the needed edits. You’re very welcome to follow along with us—just download the photo above and then imitate our steps.
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