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Mastering Colors in Photography: White Balance

While the human eye can easily adjust to changing light colors, a camera doesn’t have it so easy here. Because of this, you have to let it know when its coloring of a scene differs from reality. The way to do this is via camera modes or automatic white balance. In the following article we’ll take a look at how to fine-tune a scene’s colors so that they match reality.

Colors of the Year: One Tree, Nine Pictures

Spring is here—and it’s waking up nature. But every other season is fantastic too. Especially for photographers. So keep returning to the same photogenic places year-round. That will give you a unique collection of photos that, even though they all show the same subject, never quite show the same picture.

Learn to Compose: 13 Basic Rules for Better Photos

Get the hang of composition basics and start creating more aesthetic photos that are more pleasing to your audience. Observe these rules of composition to advance from just recording reality to doing real photography. Or deliberately violate some of them to make your work provocative. But make sure it’s clear that the reason why you’re breaking the rules is because you know the rules.

Zoner Photo Studio Power User: Advanced Focus

Today we’re having a chat with a rather unusual Zoner Photo Studio user, and that’s the Australian company Advanced Focus. After all, ZPS isn’t just for people—it’s also for companies, who use it for documentation, administration, and quick image fixes. How exactly? Read it for yourself!

The Golden Hour—An Ideal Photo Opportunity

Taking pictures in the Golden Hour is one of the most fundamental and simplest recommendations for taking better pictures. The Golden Hour is actually not one, but two hours daily: after the sunrise, and before sunset. During these hours, the light is softer, the shadows are longer, and the light temperature is significantly warmer. Read on for a few tips on why and how these everyday, but still extraordinary, time periods can be used for photography.

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