Your basic light for photography—available to you free of charge—is natural light. But when you’re using that light, you usually don’t have many ways to fully control it, and so you’ll often have to adapt your exposure and your scene to the light. You’ll learn to perceive light and take advantage of its characteristics with some practice…

An eye for light and perfectly handled work with natural and artificial light sources are the key prerequisite for a good photo. The right lighting lifts a photo up out of the dull gray average, while a badly lighted picture, no matter how beautiful its subject, will never impress.

Occasionally as a photographer you’ll find yourself in a situation with bad light. Modern cameras can handle poor light, but they still sometimes need a little help from accessories. Read on and learn to overcome bad light using your equipment (and skills).

Good light is the foundation of photography. And in winter, photographers don’t get much good light—so they have more time available for other activities. Wondering how to spend the extra time that winter frees up? Read on for a few tips on exactly that.

Photographing a black subject against a black background isn’t easy, but as long as you remember one basic rule, your subjects will never again melt into black backgrounds. Discover how “black-on-black” photos are made. Then use your new skills to take impressive photos!

You’ve probably heard of gray cards in connection with white balancing. But there’s also another use that, while it may sound strange, is perfectly sensible: getting a firm grip on exposure.

The summer months bring heat, with heat the sun, and with the sun, sharp light. For a photographer, harsh and direct light is among the most unpleasant light there is.

Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on

In previous articles we looked at tips and recommendations for photographing products against white backgrounds and with a reflection in the background. The most difficult product photography of all is when you’re working with highly reflective objects or glass. So let’s take a look at how to make these look great.

Items shot with a white background are a classic you can use almost anywhere. Read on for the ins and outs of these standard shots.