Photographing a black subject against a black background isn’t easy, but as long as you remember one basic rule, your subjects will never again melt into black backgrounds. Discover how “black-on-black” photos are made. Then use your new skills to take impressive photos!

You’ve probably heard of gray cards in connection with white balancing. But there’s also another use that, while it may sound strange, is perfectly sensible: getting a firm grip on exposure.

The summer months bring heat, with heat the sun, and with the sun, sharp light. For a photographer, harsh and direct light is among the most unpleasant light there is.

Are product photos with white backgrounds starting to get boring for you or your clients? Don’t worry, it’s not your only option. Today we’ll look at a different take on

In previous articles we looked at tips and recommendations for photographing products against white backgrounds and with a reflection in the background. The most difficult product photography of all is when you’re working with highly reflective objects or glass. So let’s take a look at how to make these look great.

Items shot with a white background are a classic you can use almost anywhere. Read on for the ins and outs of these standard shots.

The market is overflowing with cameras, lenses, and a variety of accessories to bring large or small effects to your photos. They come in all sizes. But do you need them? Everyone certainly tells you that this flash or that softbox will make your photos exceptional. But is it true?

You don’t need to rent a studio, look for a big room, or own expensive equipment. You can work your way into product photography by photographing small objects. It will also give you a chance to practice your work with light. You just need a few common props that you probably already own.

Painting and drawing with light are two of the most entertaining roads to producing creative photographs. Together they form an area of photography where groups of people of all ages can work together and have fun together. With a little patience and enough time, you can create works reminiscent of actual paintings.

Having an eye for photography is about more than just having an eye for great composition. It also means you know how to see light, and when to take your picture. If you’re lucky and catch a “fever” for photography, then the basics like light and composition will become so natural for you that you won’t even think about them—just do them.