Most articles for beginning photographers are about how to create technically perfect photographs. They teach correct exposure, the very highest contrast, precise white balance, and so on. But several special

When photography was prints, saving them for future generations was pretty straightforward: you’d print them, slap them in an album, put the album in a box and put the box

If you let the sunshine and fine temperatures of the autumn days lure you out, and you don’t forget your camera at home, you can take some fairly interesting pictures. Naturally there are lots of ways to capture the world’s natural and manmade joys, but in today’s article, our focus will be narrow: capturing waterfalls and water fountains. In short, capturing water in motion… and of course the stumbling blocks you may encounter along the way.

Hidden inside your photos is a powerful wealth of information. It's called EXIF data and it holds the key to improving your photography, organizing your images, protecting your privacy and safeguarding your copyrights. Yet many of us don't know it exists, much less what to do with it.

With your copy of Photo Studio 16, you’ve got everything you need to take your images to the next level. But how’s your hardware? We’ve identified three tools that will

Sports photography is unlike any other kind. For one thing, it joins many genres—portrait, documentary, journalistic, motion, and more. For another, sports organizers often make work harder and lay down

Photographers often head out on the road with a lot of gear, but that doesn’t mean they never want to travel light. But that can mean leaving something important behind.

We have just released new Zoner Photo Studio 16 - software by photographers for photographers. It is the first such Windows application in the world to fully support touch operation. Alongside the launch of Zoner Photo Studio, we are launching a new version of the Zonerama.com online photo gallery—it’s the first truly unlimited gallery, and it’s still completely free.

I can still vividly remember the first time I photographed fireworks. A group of friends and I were leaving from one of the housing high-rise complexes that ring the town just before the fireworks started at the dam lake, on our side of town, and during the first launches, we were standing at the edge of our neighborhood. Even though I had my tripod with me as well as a digital camera with zoom, it was still not enough.

Color photography has existed for about a hundred and fifty years, if we count from its earliest beginnings. For all of this rather long time, a considerable number of photographers have remained, or at least returned, at the side of black-and-white photography. The arrival of digital cameras has done nothing to change this. Except to make it simpler.