A high-quality lens is an investment. If you are looking for cheaper, yet unique optics, a solution for you may be an older, manual lens. While you’ll have to give up the luxury of autofocus and flawless detail, you’ll get photographs with a lovely, vintage feel. Read about the advantages of older lenses and how to mount them on modern digital cameras.

Looking for a universal zoom lens for your Sony A7 or A7R system compact? The Sony FE 70-200 f/4 G OSS may be the answer. It’s the first premium telezoom for Sony Alpha full-frame system compacts. We’ll be taking a in-depth look here at this must-have lens. Read and see how it held up for us in practice.

Last time around, we discussed what to focus on when choosing a camera for your sports photography. Now that you know how to choose the camera, let’s talk about choosing the lens. A good lens for sports photography is one that’s inexpensive if possible, that’s universal, and that has decent parameters. What lenses meet these requirements, and what should you base your decision on? You’ll learn all this in today’s article.

Every photographer will have zoom and portrait lenses in their kit. But sometimes it pays to take yet another point of view. A fisheye lens is one way to do that. In this review, we’ll take a look at the Nikon 10.5mm f/2.8, a truly fascinating lens that was lent to us by Foto Škoda.

Photographic technology is evolving at an unbelievable speed, and it’s hard to resist the endless waves of new gadgets we’re subjected to each day. But when is really the right time to make that investment into better equipment?

Lens names are full of abbreviations, number ranges, and useless advertising. Take a look at which pieces of information are important for you and what it all means.

When you sit down with lenses that all offer the same focal length and aperture, you might think that they’ll all give almost the same outputs. But in reality their outputs vary in a variety of details. To see this difference “live,” check out our test of some Canon and Sigma lenses that—in theory—“meet” at the 35mm focal length.

There’s lots of tools out there for landscape photography, but not everyone wants to carry them all on a hike—or even buy them. If you’re not sure what equipment you’ll need for your nature photography, read on and learn what makes sense to take.

You’ve probably run into the title question in practice. The answer is: there’s not just one best length. Unlike in portrait photography, nearly every lens works for landscapes. It’s just that each one lets you present the landscape a bit differently. So let’s explore the differences among them via an example landscape.

The market today is flooded with ever-better zoom lenses built to cover practically every imaginable range. And yet there are still photographers who make do without any zoom at all. Is it really possible to stick to just one fixed lens and completely forget about all the other focal lengths?