Portrait photography is one of photography’s basic genres. Like the others, it has its specifics that are good to keep in mind so that you can get the very best photos.

We see the world in color, and cameras can reliably record the colors we see. Despite this, a black and white conversion will often make a photo better. When does black and white pay off?

Every month we bring you a rich selection of guides and tips for making your photographs even better. Naturally, some topics interest you all more, and some less. So let’s take a look at which articles attracted you the most in 2016.

Photography is a field that relies heavily on colors. That’s because colors are one significant element affecting every photo. Sometimes more, sometimes less. Let’s take a look at a situation where colors are simply fundamental.

No more walking the mountaintops waiting for better weather! You’ll find scenes for macro photography everywhere around you—or you can create them on your own. Miniature abstract compositions don’t demand any complicated ideas, and yet they can still be a delight to the eyes.

Photo editors have some quite powerful tools available for removing objects from photos—for example the clone stamp and healing brush.

Is center composition always a mistake, or—when you know what you’re doing—can it benefit your photos? We’ll show you several examples of when you should compose to the center and when to avoid center compositions, and also how to improve a photo you’ve center-composed.

Maybe you’ve been there—standing somewhere with a breathtaking nature scene in front of you. You pressed the trigger a few times, but for all the world you couldn’t get a picture that really showed the beauty you had before you. What was the problem?

Photography doesn’t have to be just trigger-pressing. It has its rules and its theory. Come join us for a look at photography’s basic means of expression, and learn the difference between a photograph (a photographic image) and a mere camera-powered recording of reality. You should give each photo a distinct subject, and to express that subject creatively, you need thorough work with light, composition, and perspective.

Using a series of repeating objects in a photo’s background can make it compositionally impressive. It gives the photo a rhythm—which you can then interrupt with a properly placed subject. And if you hide the end of the series of objects that form the rhythm, you make the photo feel endless. Your audience gets the feeling that the row of repeating objects never ends.