Can the Tamron 35-150/2-2.8 replace the three other lenses in my previous kit? Let’s take a look at how it stacks up against top professional glass in terms of quality and performance.

Why should you consider using camera lens filters when photo editing software lets us simulate most filters during editing? High-quality camera lens filters can help you get the maximum potential out of your scene, use your camera sensor to the fullest, and give your photos the look you want.

In our recent review of the Nikkor Z 180-600 mm f/5.6-6.3 VR lens, we took a closer look and explored its pros and cons from various angles. I promised to compare this long glass with the slightly shorter, but still very good, Nikkor Z 100-400mm f/4.5-5.6 VR S lens, which we previously reviewed.

We put this Nikkor little gem through our own real-world stress test at the Masaryk Circuit in Brno. We focus on its sharpness, focusing speed, and processing. These factors are of most interest to photographers who specialize in sport, wildlife, or aircraft photography.

I recently tested a telephoto lens on a Nikon Z bayonet at a football game and wrote an article about it. I promised to also take a look at the Nikon Z 400mm f/4.5 VR S prime telephoto lens. Let’s compare the prime lens with the Nikon Z 100-400mm f/4.5-5.6 VR S.

Camera lenses aren’t perfect, but increasingly advanced software can correct defects directly in the camera or with photo editing. Let’s take a look at what lens defects you may encounter and how removing them can affect image quality—for better or for worse.

Have you found some old lenses in the attic and want to try them out on your camera? Do you want to get a new lens, but modern ones are too expensive? Do you own several film cameras and want to combine them with your digital cameras? Get creative and use old or vintage lenses and give your photos unique flair.

Buying a new camera lens can be a long process, let alone choosing the right telephoto lens. Finding a lens for my Nikon Z6II was a tougher decision than it seemed at first glance. I’m going to walk you through my selection process step-by-step, taking into account my requirements and the current market offerings. I’ll explain why I ultimately chose the NIKKOR Z 100–400mm f/4.5–5.6 lens. This article will hopefully serve as a useful guide if you find yourself in a similar situation.

A number of macro photography articles have already been published here at learn.zoner.com. They’re enough for you to learn nearly everything there is to know about the subject. But in this part of our series on choosing your kit, we won’t be telling you how to shoot macro for once. Instead, we’ll be telling you what combination of body and lens to choose for it.

A 50mm lens is one of the most basic pieces of portrait photography equipment. In this article, we’ll take a look at the special, ultra-fast Nikon Z 50mm f/1.2 lens. We’ll also compare it to its older competitors. We’ve tested the lens in the field, so don’t expect dry theory. We are bringing you firsthand experience and a bunch of photos so you can come to your own conclusions. Let’s have at it!