Winter’s here, and it’s brought early sunsets that handicap outdoor photography. But there’s plenty of opportunities indoors. Candles are a natural here. They’re easy to get, and around Christmas they’re often right at hand. Read on to learn how to handle the technical aspect of a shoot like this, plus some ideas for arranging the candles.

By mastering work with artificial light sources, and especially flashes, you break free of several exposure limitations that hold you back when you’re taking pictures in natural light. Using flashes also gives you much sharper pictures, because the flash is so short that it eliminates motion blur.

The major advantage of artificial light sources over natural light is that you have them fully under your control. There are many tools for changing their characteristics. Artificial light lets you photograph topics that would be impossible to handle under natural light.

Basically the only thing you need for a photo is light. But unfortunately when you’re out shooting you’ll run into a lot of types of lighting, each with its own color. When there’s more than one source in the same scene, they can cause some real problems.

Work with natural light has simpler equipment demands than work with artificial light, but on the other hand, you don’t have the light fully under your control. But you can still direct and enhance the light, using reflectors and diffusion panels.

Photography doesn’t have to be just trigger-pressing. It has its rules and its theory. Come join us for a look at photography’s basic means of expression, and learn the difference between a photograph (a photographic image) and a mere camera-powered recording of reality. You should give each photo a distinct subject, and to express that subject creatively, you need thorough work with light, composition, and perspective.

Your basic light for photography—available to you free of charge—is natural light. But when you’re using that light, you usually don’t have many ways to fully control it, and so you’ll often have to adapt your exposure and your scene to the light. You’ll learn to perceive light and take advantage of its characteristics with some practice…

An eye for light and perfectly handled work with natural and artificial light sources are the key prerequisite for a good photo. The right lighting lifts a photo up out of the dull gray average, while a badly lighted picture, no matter how beautiful its subject, will never impress.

Occasionally as a photographer you’ll find yourself in a situation with bad light. Modern cameras can handle poor light, but they still sometimes need a little help from accessories. Read on and learn to overcome bad light using your equipment (and skills).

Good light is the foundation of photography. And in winter, photographers don’t get much good light—so they have more time available for other activities. Wondering how to spend the extra time that winter frees up? Read on for a few tips on exactly that.